A Farewell to Kings

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A Farewell to Kings (5:51)
Xanadu (11:08)
Closer To The Heart (2:53)
Cinderella Man (4:21)
Madrigal (2:35)
Cygnus X-1 (10:25)
   Prologue (5:01)
   1 (0:45)
   2 (1:34)
   3 (3:05)


Neil Peart
Drums, orchestra bells, tubular bells, temple blocks, cowbells, wind chimes, bell tree, triangle, vibra-slap

Geddy Lee
Bass guitar, twelve string guitar, Mini Moog, bass pedal synthesizer, vocals

Alex Lifeson
Six and twelve string electric guitar, six and twelve string acoustic guitar, classical guitar, bass pedal synthesizer

Produced by Rush and Terry Brown
Recorded at Rockfield Studios, Wales, June 1977
Engineered by Pat Moran and Terry Brown (Broon)
Mixed at Advision Studios, London
Engineered by Terry Brown, Assisted by Declan (not Norman!) O'Doherty and Ken Thomas

Art direction and graphics by Hugh Syme
Cover photography by Yosh Inouye
Sleeve photography by Roger Stowell
Liner photographs by Fin Costello
Design assistance by Bob King

Mastered at JAMF, Toronto by George Graves

Management by Ray Danniels, SRO Management, Inc., Toronto
Executive Production-Moon Records

Roadmaster and lighting director-Howard (Herns) Ungerleider
Concert sound engineer and effects consultant-Major Ian Grandy
Stage right technician-Liam (Elfbjörn) Birt
Stage left technician-Skip (Slider) Gildersleeve
Centre stage technician-Larry (The Saint) Allen
Stage Manager-Mike (Lurch) Hirsh Chauffeur extraordinaire-(Ms.) Jorge Hoadley

Hello and thank you to National Sound and Crew, See Factor Lighting and Crew (U.K. too!), Electrosound U.K. and Crew, Graham The Coach Driver, Alans Moore and Kearsley, all at Rockfield and Pat (Duffo) Moran, (Farewell to Kingsley), Max Websters' Dancing and Crew, the Cult and Crew, Fabrissio, The Percussion Centre, Tony (Old School Thai) Kelly, Continental Tom Berry, and all our friends in the U.K. (and everywhere!) we remember Brooklyn.

A special thank you to Dirk, Lerxst, and Pratt.

Our thanks also go out to the good people of Gibson Guitars, Rickenbacker Guitars, and Slingerland Drums for their personal help and consideration.

Dedicated to Nancy, Charlene, and Jacqueline

Mercury/Polygram, August 29, 1977
© 1977 Mercury Records © 1977 Anthem Entertainment


In Their Own Words

"'Closer to the Heart' is a bit different from any song we've done. It was based on somebody else's idea. It came from Peter Talbot. He's a radio and media person and a very prolific writer, so every time we get out there he gives me a big pile of stuff like this to take home. 'Closer to the Heart,' the title and the first verse, comes from him." - Neil Peart, Circus, October 13, 1977
"With 'Xanadu', we ran that down once to get the sound and levels, and then we hit 'record' and played the song and it was done. Pat Moran, the engineer on that record, was shocked. Seldom did a rock band do one take of a song that's eleven minutes long. He was blown away." - Alex Lifeson, ClassicRock.com, May 2015
"We brought 'Xanadu' back into the live set on the Presto tour and I was surprised how well it went down. It was one of those forgotten songs that was fun to play again so I think we'll keep it around for a while - recycle it!" - Geddy Lee, The Guitar Magazine, November 1993
"Geddy's bass playing is so melodic and that comes from playing bass parts on an acoustic guitar. He would play bass lines right on the acoustic, but he would come up with a lot of guitar parts too. 'Closer to the Heart' for instance...he wrote that opening picking part. I heard it and said, 'That's so cool-show me that!'" - Alex Lifeson, Frets, Spring 2006
"We tried to rehearse 'A Farewell To Kings' on the last tour and I couldn't successfully sing that without hurting myself, so we gave up. So yeah, there are moments of the past I cannot sing anymore." - Geddy Lee, Blender, April 2009
"All of our early albums were written on acoustic guitar. When Geddy and I would write the music, we'd sit down with a cassette recorder and two acoustic guitars, in spite of the fact that we were a hard rock band. 'Closer to the Heart' is a sweet, ballady type of song, but we mix it up. It takes an interesting course as the arrangement builds. Once we got the basic arrangement down, we knew that the intro would be acoustic, and then we took it up a notch dynamically and brought the whole band in. The 12-string intro gives it the illusion of being an acoustic piece, and then the rhythm section comes in and the song changes into a kickin' rock tune." - Alex Lifeson, GuitarWorld.com, April 30, 2015