Recorded during the spring and summer of 2000
Produced by Geddy Lee, Ben Mink and David Leonard
Mixed and engineered by David Leonard
Matt Cameron's drums recorded by Adam Kasper
Additional recording by Dennis Tougas, B. Mink, G. Lee.
THANKS AND I MEAN THANKS:
To Nancy, Julian and Kyla
For their encouragement, patience and patience!!
To Ben and David for so many hours (you bad boys you)!
Ben would like to thank in no small way - Ingrid, Izzy and Lucie
For their time and positive energy:
Val Azzoli, Ray Danniels, Pegi Cecconi, Liam Birt, Anna LeCoche, Randy Rolfe, Sheila Posner, Shelley Nott, Cynthia Barry, Karen Jones, Warren Seyffert, Jill Berliner
For their generosity of spirit:
Matt and April, Adam and J.J, Amy, Cailey and Parker Bruce Leonard, Greg Keplinger, Jeremy Taggart, Ed Wilson, Jason Sniderman, Robbie Higgins, Daniel R. for "supra", JL, Martin Laba, The good people at Studio X, Ormond Jobim and the equally good people of Reaction Studios, Alex Andronache at Metalworks and of course (my soul brothers) Lerxst and Pratt!
Atlantic/Anthem, November 14, 2000
© 2000 Atlantic Records © 2000 Anthem Entertainment
"I have been doing a lot of writing over the last couple of years with various people. I have got quite an accumulation of material together. We [Lee and Mink] have been friends for many, many years. We have always talked about writing together. We started this a couple of years ago, a series of writing sessions in Vancouver and Toronto. We have gathered some material together that is ... interesting. The problem for me is I love writing, I love making music. But I am not really driven by the kind of ambition to feature myself on a solo album. I would love to see this material I have been working on see the light of day. Inevitably (releasing a solo album) will be the direction I may have to take to get it exposed." - JAM! Showbiz, January 18, 2000.
"As far as the album cover goes, it's a very abstract representation of the title. It kind of represents the yin and yang of that phrase. Half in heaven, half in hell. The character on the cover finds himself torn between these two worlds. It's a little abstract but a lot of fun...the slinky is part of what we call a Gordian knot which is a knot that is almost impossible to untie. It's kind of representative of that phrase." - Geddy Lee, "Rockline", November 29, 2000
"Following more than a quarter-century of success with Rush - including 22 albums, all certified RIAA gold-or-better, with cumulative worldwide sales of over 35 million - My Favorite Headache finds Lee joined in the studio by guitarist/multi-instrumentalist Ben Mink and drummer Matt Cameron (Pearl Jam, Soundgarden). The album's 11 diverse new Lee compositions were co-written with Mink (best known for his collaborations with k.d. lang [webmaster note: better known to Rush fans for Mink's electric violin on Signal's 'Losing It', also as a member of 'FM' who toured with Rush in the early 80's]). This landmark recording sees Lee taking on a number of instruments - along with his bass and vocal duties - including piano, guitar, percussion, and various programming elements. Recorded in Seattle, Vancouver, and Toronto, the album was produced by Lee, Mink, and renowned studio whiz David Leonard (Santana, Barenaked Ladies, Prince), and also features drummer Jeremy Taggart (Our Lady Peace) on one track." - Atlantic Records/Geddy Lee Newsletter, September 19, 2000.
"Ben's dad was telling him a story about something that happened to his mother, and he said, in his Polish accent, 'and right away, she gets the favorite headache.' Once I stopped laughing, I realized what a great phrase that is, and I became determined to use it. It represents my sort of reluctant relationship with making music: I love it passionately, but it drives me crazy, because once I get into a project I'm completely consumed by it." - Geddy Lee, Bass Player Magazine, January 2001
"This packaging is technically referred to as a 'Digipack' and record companies generally do not like to use them claiming that they cost more to produce. Which may well be the case based on the fact that their production is geared up to use the plastic 'Jewel Box' and as a result any other type of request is considered a special order. So, if an artist insists on using the 'digipack' type of cover they will make that artist pick up the extra cost. They also claim that 'MARKET RESEARCH TELLS US THAT FANS REALLY PREFER JEWEL BOXES AND VIEW THEM AS BETTER VALUE FOR MONEY'. As for myself I much prefer the 'digipack' type of packaging for the following reasons, more environmentally friendly, they feel better in your hands (like an album cover!..I'm old fashioned I guess!), they look much better in terms of graphic display, and they don't shatter the instant you open them like the dreaded Jewel Box!! Although they may have a tendency to fray a bit over time. For those artists that believe that artwork is important in ways beyond the practical, unique packaging usually becomes a bit of a battle with most of the larger record companies. Even for very successful artists." - Geddy Lee, The Geddy Lee Interactive Website, January 11, 2001
"I really like [Matt Cameron] from Soundgarden. I like his playing a lot...he has a lot of room to shine and I enjoy his playing immensely." - Neil Peart, Powerkick, The Rock Drummer's Quarterly, Summer 1992
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