Alex Lifeson - Guitar, bass, mandola, keyboards, programming, vocals, yelling
Edwin - Vocals
Bill Bell: Black Hole guitar, twelve-string guitar, guitar, E-Bow, wah guitar, slide guitar, wobble, background vocals
Blake Manning: Drums, darbuka
Dalbello: Vocals (Track 3)
Peter Cardinali: Bass (Tracks 4, 7 & 10)
Adrian Zivojinovich: Programming (Tracks 5 & 9)
Les Claypool: Bass (Track 9)
Colleen Allen: Horns (Track 10)
Produced by Alex Lifeson
Recorded by Alex Lifeson
At Lerxst Sound, Oct. 1994 - July 1995, Assisted by Bill Bell
Mixed by Alex Lifeson
At McClear Pathe, Toronto, Assisted by Denis Tougas
Arrangements by Alex Lifeson
Mastered by Bob Ludwig at Gateway Mastering Studios, Portland, Maine
Management by Ray Danniels, SRO, Toronto
Executive Production by Lerxst
Art Direction by Andrew MacNaughtan
Photography by Andrew MacNaughtan
Design by Megan Oldfield, Coolaide Design
Edwin appears courtesy of Capital Records, Inc.
Dalbello appears courtesy of EMI Electrola Gmbh., Germany
Les Claypool appears courtesy of Interscope Records, Inc.
Special thanks to nobody in particular.
Grateful acknowledgements for the technical assistance of Coll Audio, Saved by Technology, P.R.S. Guitars, Zurba, DOD Digitech, Dean Markley Strings, and of course, The Omega Concern.
Dedicated to Charlene for her inspiration, spirit and loving support.
In Memory of Randy Knox
© 1996 Atlantic/Anthem/Lerxt Music Inc.
"There's a drink that Bill Bell invented called 'Strip and Go Naked,' which after you've had a couple, that basically is what happens. On the other hand, we thought that was kind of what the song was about. We stripped the whole song down to very basic elements - it goes through a lot of different changes musically, but it's basically stripped down." - Alex Lifeson, Associated Press, February 8, 1996
"One song, it just didn't hold up musically, it was too ordinary. I actually wanted to get Tom Jones to sing on the song (laughs), the guy who had done the demo had a little bit of Tom Jones in his voice and I thought this would be soo cool to have Tom Jones on my record, even the whole thought of having him at my house, it was too much I just had to do it, but as the other material developed I felt that the song would not stand up with the rest of it, and I decided before I had even got to recording the guitar, I'd already done drum tracks on it and bass tracks it was set for the guitar and vocals then I decided to not include it." - Alex Lifeson discussing an unused track, The Spirit Of Rush, February 1996
"When we first wrote 'Promise', Sebastian (Bach) was in town for Christmas. He popped by my place and put a vocal on that song. The problem was that as things developed, and as I wrote the rest of the material for the record, I really wanted to have one single voice on there - one single male voice. So, when I talked to Edwin about working on the record and we got focused on all the songs, I decided to go with him. The take that Sebastian did on the song was really, really great, and Sebastian is a fabulous singer. Talk about energy! The whole studio at home was shaking when he was out there jumping around, bouncing off the walls doing it. I really felt really badly about not using him on the record, because I know that it meant something to him, and he really enjoyed working on it. Unfortunately, I had to make that call, and I did." Alex Lifeson, Rockline, January 15, 1996
"I recorded a song with Alex Lifeson at his house called 'Promise' when he was working on his first solo album. He had invited me over his house. I stayed overnight. We had a great time. We had wine and recorded; it was an amazing night. I'll never forget it. So I get home the next week, and Alex Lifeson sends me a gold first Rush album autographed to me, underneath the plastic, 'To Sebastian, thanks for a great night. My head still hurts. Alex Lifeson.' People who see that lose it.” - Sebastian Bach, Goldmine, September 18, 2014
"Alex is a complete sweetheart. I was just finishing mixing the Whore CD at a studio where as it happens Alex was recording his solo record, and not long after I was finished my record, I got a call from him asking if I'd be interested in coming in and having a listen to one of his songs with the idea of having me sing the lead vocal and hey - I said yeah right away. It was a great day and the song is intense and personal for Alex and being given the privilege step inside of his world and be allow to be his 'voice' and represent his feelings by singing 'Start Today' was something I'll not forget. What a rush - no pun intended." - Lisa Dabello, Rock Reunion, 2001
"It's a different time in the industry. Victor was a very personal project for me and I wanted to be in charge of every single little thing. I feel like I could have done a better job, for sure, but it gave me what I needed at the time. But to make a follow-up album today? I don't know. That said, I probably have enough material for three or four solo albums. I listen back to the stuff I've been doing every now and then and I love the songs and then I hate them. It feels kind of meaningless because I'm not locked into anything anymore." - Alex Lifeson, Planet Rock, April 2019
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